When I was offered a copy of Neil Gaiman's newest short story collection, Trigger Warning, for review, my first thought was to jump on it. I adore Neil Gaiman's work. He is one of only about three authors who get their own shelf name on my GoodReads account. And then I remembered that I wasn't particularly happy with The Ocean at the End of the Lane. I know I'm in the minority and I've never even written a review for it, but all I can say is that it was too weird, even for me. I hate feeling honor-bound to review a book that I didn't love so I wavered. Then I decided to go for it. I'm so glad I did! Overall impression: It started off with a couple of stories that I didn't particularly care for so I was getting worried. I'd read the third story earlier (In George R. R. Martin and Gardner Dozois's Songs of Love and Death) and enjoyed it, but still, it was a re-read. The fourth story started to catch my attention and by the fifth, I was hooked. There were probably one or two others I didn't care for in the remaining nineteen stories, but the collection overall is fantastic. And because I find it impossible not to mention what I think of every single story in a collection, here's where I get long-winded. "Making a Chair"--A poem about--you guessed it--making a chair. I assume Gaiman was pushing through some writer's block with this one. Haven't we all been there? You have a million real things to do but something unimportant proves to be a welcome distraction? "A Lunar Labyrinth"--Normally short horror stories scare me to death. So much is left unsaid. I can generally read Stephen King novels and sleep like…